I am still not sure what to make of 'Monkey & Bear', a tale of escape from a circus narrated in the voice of the monkey. She suddenly perks up. The same could be true for an artist such as Newsom, whose infinitely cunning and smart music might get misinterpreted by someone outside of her world. The opening cut, “Emily,” for example, begins: “The meadowlark and the chim-choo-ree and the sparrow set to the sky in a flying spree, for the sport of the pharaoh.” These are not easy songs to penetrate, narrative in moments and quickly abstract, romantic in the longing for an existence very apart from modern life. [6] Chris Dahlen of Pitchfork called Ys "great because Newsom confronts a mountain of conflicting feelings, and sifts through them for every nuance". But we aren’t interested in presenting them like an English 101 class—we’re more concerned with the feelings these songs elicit. Born Joanna Caroline Newsom on 18th January, 1982 in Nevada City, California, she is famous for Harp player and being the girlfriend of Andy Samberg. [18] The album was later nominated for a 2007 Shortlist Music Prize. Five songs in 55 minutes, the album slowly unravels in its idiosyncratic nuance. —Austin Jones, Joanna Newsom is enamored with movement. This material makes significantly higher demands of the aud — 15-minute complex metaphorical narratives lacking traditional pop structures — but is all the more rewarding for it. Newsom is adept at detailing the small yet significant moments that sisters share growing up: “Anyhow, I sat by your side, by the water / You taught me the names of the stars overhead that I wrote down in my ledger / Though all I knew of the rote universe were those pleiades loosed in December / I promised you I’d set them to verse so I’d always remember.” “Emily” is also a loving portrait of a supportive family, one who encouraged Newsom’s longtime interest in music. Here’s the difference, though: Mitchell misses The Golden State while Newsom is held captive by it. The longest track, 'Only Skin', clocks in at over 16 minutes, the shortest, 'Cosmia', just over seven. Newsom anchored her 90-minute set by performing the ornate, flowing musical suite that comprises “Ys,” bookending it with a trio of songs from her 2004 release “The Milk Eyed Mender”; it demonstrated a marked evolution between her two albums. For that alone, she should be cherished. While gathering ideas for her fourth album, Newsom worked on a wide range of other projects and events: she contributed vocals to the theme song for the Muppets film as well as albums by Thao & the Get Down Stay Down and Hard Skin; appeared in Paul Thomas Anderson's 2014 film Inherent Vice and the television show Portlandia; and played select dates -- including a 2012 benefit show for the Henry Miller Memorial Library that also featured Philip Glass and Tim Fain -- where she debuted new songs. —Austin Jones, Ys is all about grief, and “Cosmia” is perhaps the album’s most direct manifestation of it. Even if our best scholars manage to interpret the unknowable artifacts (or “tributes,” as Newsom calls them) of societal collapse we’re constantly surrounded by, they’re no use if we’re ruled by proud and irresponsible kings. Parks also contributes accordion.
Joanna's harp is an instrument of hypnotic and mesmerisingly soothing beauty, a counterpoint to her singular voice. Lastly, if we’re to break her aesthetic down to its bare essentials, we have an easily understandable theme, such as loneliness or love or anxiety, that is either so zoomed in it feels darkly voyeuristic, so zoomed out that it becomes heroic or maybe even both. Don’t go missing,” she sings. Then, feverishly plucking, she pleas to the heavens for the release of her friend’s heart into a community of glorified souls. [36] Two Spanish magazines, Playground and Rock de Lux, have respectively named Ys their 83rd and 15th greatest album of the 2000s. —Austin Jones, The underrated opening track on Divers is somehow both a personal story and a methodical examination.
... lover Bill Callahan … / Till up grows a fine young cherry tree.” —Natalia Keogan, Have One on Me is, at its core, a breakup album. Make of that what you will. She can sound like the birds that fill her songs, 'the meadowlark, the chim-choo-ree and the sparrow', all rolled into one.
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