Chopra was largely brought up in the Lahore house of his second brother, BR Chopra, then a film journalist. [8] Starring Shahrukh Khan again, Preity Zinta and Rani Mukerji in the lead roles, the film was the biggest hit of 2004 in both India and overseas, with a worldwide gross of over ₹940 million and was screened at the Berlin Film Festival to critical appreciation. On one of these drives, Pamela Chopra shared an idea with Talwar. Chopra began his career as an assistant director to I. S. Johar and his elder brother, B.R. Yash Raj Films is a highlight of India's post-colonial identity. Why have protests against Mumbai’s coastal road not been as successful as the Save Aarey movement? The film received high critical acclaim, had exceptional music, and was one of the biggest Bollywood hits in the overseas market. When he saw the first cut of Doosara Aadmi, Chopra was delighted. He died of dengue fever during Jab Tak Hai Jaan's production in 2012. It also starred Akshay Kumar in a supporting role. [6] British Academy of Film and Television Arts presented him with a lifetime membership, making him the first Indian to receive the honour.
The film enjoyed a sterling run and also earned its director a Filmfare nomination. Looking for a movie the entire family can enjoy? Vice President of the Film Producers’ Guild of India for the last 10 years.
But before that Chopra wanted him to help with Kaala Patthar (1979), an ambitious film with expensive sets and a massive cast.
This was followed by a period of professional setback from the late 1970s to 1989. Theatrical screenings of the film were disrupted by violent demonstrations in response to its raw depiction of the partition riots and related sloganeering and hence became a box office flop. So much so that he was willing to fork out the unheard of sum of two-and-a-half lakhs that Salim-Javed were demanding. To assuage his concerns, a qawali (Koi Mar Jaye Kisi Pe) was added. While Chopra began work on Trishul (1978), Talwar sat down with Sagar Sarhadi to flesh out a story by Raju Saigal, an unusual love triangle involving a married young man and an older woman. Chopra's collaboration with his brother continued in the form of the 1965 film Waqt,[8] which featured an ensemble cast including Sunil Dutt, Raaj Kumar, Shashi Kapoor, Sadhana, Balraj Sahni, Madan Puri, Sharmila Tagore, Achala Sachdev and Rehman.
Check out the Indian movies with the highest ratings from IMDb users, as well as the movies that are trending in real time. “He told me, make your film aaram se, don’t compromise.” Chopra stayed away from the sets so as not to put any additional pressure on the first-time director.
Shot in a month and on a low budget, the film was deemed unusual by critics. Chopra received his first directorial opportunity in 1959 with the social drama Dhool Ka Phool,[13] produced by his elder brother B.R. [4], On 13 October 2012, Chopra was diagnosed with dengue fever and was admitted to Lilavati Hospital, Bandra, in Mumbai. The man who was shelling out the money, though, had his misgivings. Chopra received his first Filmfare Award for Best Director for the film. He directed Ittefaq (1969),[8] a suspense movie based on a Gujarati play, depicting the events of a single night, with Rajesh Khanna and Nanda in the lead roles. 2008: by the Punjab University, Chandigarh, India for his contribution to Indian cinema.
While Talwar says he did not have much to do during the making of the songless Ittefaq (1969), he seems to have done enough to impress his director. It has grown to be the forefront of the global rise of Bollywood cinema. The film became a critical and commercial success. Alle Infos zu Yash Chopra, bekannt aus Veer und Zaara - Die Legende einer Liebe und Mohabbatein - Denn meine Liebe ist unsterblich: Filme. After helming the critically panned Parampara (1993), Chopra directed the musical psychological thriller Darr (1993), the first of his films to star Shahrukh Khan.
The Kaala Patthar unit was staying at a hotel in Pune from which they would travel to Raj Kapoor’s farmhouse on the outskirts of the city, where some parts of the film were shot. Chopra won his fourth Filmfare Award for Best Director for Deewaar. [10][11] His father was an accountant in the PWD division of the British Punjab administration.
[8] The film was well received by critics and became the fourth highest-grossing film of the year. Over the years, Lamhe has been hailed as a cult classic; it is regarded as a modern masterpiece and possibly his finest film to date. [14] He moved to Ludhiana in Punjab (in India) after the Partition. Sans big stars and made at a modest budget, Noorie struck gold at the box office, ensuring that 1979 was a good year for Yash Raj Films despite Kaala Patthar not faring as well as expected. He got hold of the star during a party held to celebrate the golden jubilee of Bobby and managed to persuade him to come to Srinagar for only two days and see if he was comfortable working in the set-up. The film won the National Film Award for Best Popular Film Providing Wholesome Entertainment for 1989.[20]. In September 2012, in a special interview with actor Shahrukh Khan on the occasion of his eightieth birthday, Chopra announced that Jab Tak Hai Jaan (2012)[8] would be his last directorial venture and that he would opt to focus on his production company and his personal life. It marked the first collaboration between Chopra and Sridevi. Encouraged by their success, the Chopras made another hard-hitting social drama, Dharmputra (1961). Talwar attributed this partly to the fact that a film with a similar storyline had released earlier that year, although he did add that, even before filming, he had some reservations regarding the project. The first was Aadmi Aur Insaan,[8] which featured Dharmendra and Saira Banu in the lead roles.
But he did have some valuable suggestions to make.
In those days, Talwar said, film stars used to attend parties thrown by advertising people. In 1993, Yash Chopra directed the newcomer Shahrukh Khan along with Juhi Chawla and Sunny Deol in the musical psychological thriller Darr. [15] It was one of the first films to depict the Partition of India[13] and Hindu fundamentalism. Rai now wanted Chopra to direct a film for his own banner, Trimurti Films. The eighties marked a professional setback in Chopra's career, as several films he directed and produced in that period failed to leave a mark at the Indian box office. So taken was Khayyam with the subject, revealed Talwar, the music director was keen on producing the film under his own banner. He has handled the script cleverly. Rama Sharma from The Tribune wrote: "Giving love its due, Yash Chopra has understandably linked the script to the life of a common man. The film already had Shashi Kapoor in a special appearance and Chopra felt the inclusion of Bachchan and Babi would come across more as a gimmick that would signal a lack of confidence in the story the director had to tell. The film revolved around a Muslim bringing up an "illegitimate" Hindu child. The Indian film director and producer used a range of directors. With characteristic bravado and forthrightness, Talwar recalled, the writer duo informed Chopra that the project they had for him was a concoction of Mother India, Gunga Jumna and On the Waterfront. It was eventually declared a semi-hit[16] at the box office and won Chopra his second Filmfare Award for Best Director. [13], His passion for film-making led him to travel to Bombay (now Mumbai), where he initially worked as an assistant director to I. S. Johar, and then for his director-producer brother, Baldev Raj Chopra.[8][9]. For even more, visit our Family Entertainment Guide.
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