The movie’s stop-motion sandworms, for example, have morphed into detailed, lifelike creatures in the musical, thanks to designs by puppet master Michael Curry. It’s been more than 30 years since Beetlejuice, “the afterlife’s leading bio-exorcist,” creeped out the Maitlands and the Deetzes—and won over a host of viewers—as the title character in the cult-classic Tim Burton film. So we don’t love him. With an irreverent book, an astonishing set, and a score that’s out of this Netherworld, BEETLEJUICE is “SCREAMINGLY GOOD FUN!” … His hand-squeezed juice needed to stay in the fridge. And there’s noone to care about instead. No one is about to forget Michael Keaton’s title-character turn, but Alex Brightman’s Tony-nominated performance yields a more lovable and misunderstood—and no less hilarious—version of the undead con artist, striped suit and all.Beetlejuice is running at the Winter Garden Theatre through June 6, 2020. This Lydia’s still got the Hot Topic–inspired wardrobe and angsty attitude, but the show more explicitly connects Lydia’s malaise to the loss of her mother. since you clicked on this post. Sure, the source movie has the same basic series of events, but Tim Burton understood satiric lightness and the 1988 film’s goofy aesthetics counter-balanced the edginess of the horror-comedy plot. ’I used to warn him about how trusting he was’: Friends mourn man hacked to death with machete during Bronx Grindr date, ’I don’t care Trump doesn’t like black people:’ rapper 50 Cent makes presidential endorsement over taxes, CNN's Jeffrey Toobin made 'shockingly sexual' proposition to well-known media figure, she claims, Teen arrested after teacher sees him having oral sex with 7-year-old girl during break in online class, ‘All I do is cry’: Grandparents mourn murdered 22-year-old in Brooklyn rap scene, Baby drama! You’re just stuck with random gags (few of which land) and people throwing money at problems. Beetlejuice then explains to the audience that he is a demon from hell and … The 17-year-old actress stars as goth girl Lydia in “Beetlejuice,” the musical opening on Broadway Thursday night. Winona Ryder left some big Doc Martens to fill after her iconic, brooding performance in Beetlejuice, but Sophia Anne Caruso rises (levitates?) She just seemed to decide she didn’t care anymore. The problems with this show — which does, at least, feature a cool set design from David Korins, witty costumes from William Ivey Long and a genuinely funny shrunken head — are fundamentally structural. They’re all manifestations of a world gone mad — Beetlejuices light, all the way through the ensemble and Connor Gallagher’s choreography. Some plot strands are just raised and dropped. Truly, this is most cacophonous and ill-conceived musical of the season — in fact, for several seasons. Lydia Deetz is Charles Deetz' daughter and the stepdaughter of Delia Deetz and a friend of Adam and Barbara Maitland. Chris Jones reviews “Beetlejuice,” the new Broadway musical based on the 1988 comedy. And with a headache. In the Broadway version, the set turns into a mazelike underworld—and stay tuned for a musical number featuring many fan-favorite undead characters from the movie. But in the musical, Brightman’s character immediately gets narrator, I’m-your-guide status, throwing off the entire structure of the plot. The special effects in Beetlejuice reflect the movie’s unabashed silliness and its 1988 release date. Lydia’s trip to the Netherworld in the show’s second act makes for another thrilling set transition—and a notable departure from the movie. Beetlejuice is heading to the Broadway stage, and now the show has its two lead stars.The new musical is of course based on the popular Beetlejuice film … The show, at the Winter Garden Theatre, might have a better chance of persuading us to go on some deep satiric dive here if it was using an adult actress. The new Beetlejuice is a devilish puck who both drives the action and narrates it, never missing a chance to crack jokes directly to the audience. Even Lydia gives in (see above). © 2006–2020 NYC & Company, Inc. All rights reserved. “THE WHOLE WORLD LOVES BEETLEJUICE” (New York Post).Based on Tim Burton’s dearly beloved film, this hilarious new musical tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple … In the movie, the Deetzes decide to market their new home as a haunted house after being possessed in this scene; but the show, thanks to Beetlejuice’s interference, takes them in a new direction. While in the movie the Maitlands return from the Netherworld to find their house redecorated all at once, the show invites viewers to keep an eye out for subtle changes—down to the light fixtures and fireplace—as the story progresses. Showgoers will be surprised to see the new, more naïve Maitlands, played by Kerry Butler and Rob McClure, enter the afterlife a bit differently than their movie counterparts. Needless to say, the Broadway production successfully modernizes those fantastical elements and sight gags. Who needs a live mom when you have ... him! In this case, the piece de resistance is the song “Creepy Old Guy,” wherein the show’s adolescent heroine, Lydia (played by Sophia Anne Caruso) sings of her love for the sleazy title character played by Alex Brightman: “Way back when, I was just ten,” go Eddie Perfect’s lyrics. And that means the musical lacks a crucial component for the success of any musical: there is no normative character and thus no baseline of truth. You’ll also see flying characters, spontaneous combustion and possessed shrimp cocktails that will have you asking, “How’d they do that?”. Sophia Anne Caruso, the talented young star of “Beetlejuice,” surprised a lot of the musical’s fans when she announced on Instagram last week that she'd performed her last show. At one point, Lydia disappears into the Netherworld looking for her dead mom. And the director, Alex Timbers, has styled the show so that the whole cast of characters is manic and crazy. Good luck. The show, however, dives deeper into their relationship with each other and with Beetlejuice as he gives them a hand haunting their house—with his own ulterior motives, of course. When another family moves into their beloved house — Delia and Charles Dietz (Adam Dannheisser) — the couple try to scare them away, colluding with the Dietz’s daughter (actually Delia’s stepdaughter) Lydia, the only human who can see the Maitlands. Alex Brightman (Beetlejuice) and Sophia Anne Caruso (Lydia Deetz) are pictured in Broadway's Beetlejuice. The second family is mostly ridiculous. This year’s musical adaptation of Tim Burton’s “Beetlejuice” is just in time for the 1988 film’s 30th anniversary. But the show also holds surprises for both longtime fans and Netherworld newbies. But Caruso is not yet an adult, although a whopping teenage talent and about the only human to really emerge well from this disaster. Lydia and Elsa are both goth. Lydia's grade in Science is a C, but in Math is an A. Lydia … The Beetlejuice is rancid. Leslie Kritzer (Delia) and Adam Dannheisser (Charles) are pictured in Broadway's Beetlejuice. This is a number that should have cut out of town, along with a whole bunch of other profane and tawdry references to bodily this, that and the other. In the film, which so many of us love and revere, Beetlejuice is the antagonist — the main plot revolves around a couple, Barbara (Kerry Butler) and Adam Maitland (Rob McClure), who find themselves killed in a car crash and rendered as ghosts. As in the movie, the late couple teams up with Lydia Deetz, the teen who moves into their house and is the lone living person who can see them. The evidence here suggests the difficulty of adapting Burton’s singular movies, the work of a master of satiric complexity and very much of their era. The show demands that we love Beetlejuice, or at least enjoy his company, and yet it doesn’t want to make him anything but a sleazy and abusive interloper. In March … While Beetlejuice the movie and Beetlejuice: The Musical have the same characters and basic plot points, they are pretty different from each other. Devotees of the 1988 flick won’t want to miss this stage production, which maintains the original’s raunchy tone and fast-paced humor while peppering in contemporary references and fun musical numbers. The show opens with the funeral and follows Lydia’s struggle with grief and her attempts to reunite with her mom in the Netherworld. The Maitlands are inert, dominated by the name on the marquee and unable to drive anything forward. A nice quest for a musical, sure, but (spoiler alert) she does not find her. Whatever. Lydia is very similar to Elsa Van Helsing, who is also played by Winona Ryder. The character has a more central role in … You're now subscribed to nycgo.com's newsletters. to the occasion playing the Broadway version of Lydia. “Beetlejuice” — officially “Beetlejuice the Musical, the Musical, the Musical” — is one of those what-were-they-thinking shows that crop up on Broadway and spend tens of millions of dollars mostly to reveal an eye-popping tonal disconnect. He even throws shade at the show itself — lamenting the early arrival of a ballad that is, let me tell you, a lot more pleasant than listening to his repartee.
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