Coffee – Nerves,” with the urgency only deepened by the shared vocals of Kearney and Manning as Paget splits duties between crisp rhythmic hitting and a well-controlled workout upon the cymbals. Mailing address Midheaven c/o Revolver USA DistributionPO Box 411592 San Francisco, California D'Orazio has been replaced by English drummer Steve Ferrone although the band officially remains a trio. In a manner similar to World of Pooh, 28th Day’s fame was mostly posthumous, though the sole record issued during their existence, an eponymous 1985 LP released by Enigma, received a rather favorable reaction at the time. Seller Arroyo Seco Books Published 1958 Condition Near Fine Edition First Edition Thus 1st Printing ISBN 9780525444473 Item Price $ By the time most folks had heard of World of Pooh, the band was no longer in existence. Winnie the Pooh Magic Band 2.0 Skins, Magic Band Skins for Disney Magic Bands, for Adult & Child Bands, Piglet, Tigger, Eeyore ... Disney Inspired Magic Band Decal - Walt Disney World - fits 1.0 and 2.0 KKsVinylKreations. Sadly, the aforementioned tension that emits from the band’s work also bled over into their personal dealings, specifically concerning Kearney and Manning. And side one’s closer “Bone Happy” subtly shifts gears yet again, with Manning and Kearney’s voices flirting with a spiffy John Doe/Exene-like vibe as the music unravels in a manner not unlike the material found in the discography of the first-rate Los Angeles art-punk label Happy Squid. And the tempo and the instrumental dexterity is heightened on the following track “Mr. “Go take a board with nails in it/Beat father over the head with it”), as the music explores a melodic terrain that’s both catchy and just a touch foreboding.
While today the Fellers are conceivably shorthanded as just one of the hundreds of groups to benefit from the ‘90s indie label boom, at the turn of that decade they figured as part of a handful of highly-esteemed acts (with Royal Trux, The Dead C, and early Pavement amongst the others) that supplied a real alternative to the rising tide of Grunge. Revolver USA is a music distributor. From there “Cake Flotilla” scores as another crisply rendered guitar-pop winner, and it contrasts well with the boldness of “Somewhere Soon,” that track showcasing not only Manning’s reliable talents as singer but also the thick bedrock of her fuzz-laden bass. The World Of Pooh: The Complete Winnie-The-Pooh And The House At Pooh Corner (And) The World Of Christopher Robin: The Complete When We Were Very Young & Now We Are Six by Milne, A. And particularly germane to this review is his assemblage of a very nifty 7-inch comp from ’92 titled Not All that Terrifies Harms, a record that includes the post-breakup World of Pooh knocking-off a truly Swellsville low-fi reading of Blue Öyster Cult’s “Dominance and Submission.”. The San Francisco trio World of Pooh only managed one full-length album, the very scarce and highly-sought after 1989 LP The Land of Thirst. The music of World Of Pooh is some of the definitive American underground pop bastardization created in the latter half of the Twentieth Century…. That’s accurate, but it doesn’t really communicate the unique nature of the band, for The Land of Thirst offers up 13 tracks that while never abrasive, are at times shrewdly edgy. One evening, the Pooh Gang is sent on a mission to delay the Saurian Overlords from enacting an evil scheme at Anaheim. The Vinyl District, your daily brick and mortar, indie record store fix.
It wasn’t until much later that … listeners … would discover how bipolar the band’s actual wobble was…. Search products on Midheaven by artist, product title, label, or by format. The Vinyl District – Black Friday Vinyl Sweepstakes Rules, The Vinyl District Record Store Locator App Privacy Policy. If you received a download code in a vinyl you purchased, you can redeem it for your download here. Early on, the pair had become a couple, but by the time of the album’s appearance and especially by their final tour, it’s been said that they’d simply had their fill of each other, and apparently much of the aggression in the lyrics derived from their deteriorating relationship. Pooh’s original members were Bob Gillot (Keyboards), Riccardo Fogli (vocals and bass), Valerio Negrini (vocals and drums) and Dodi Battaglia (guitar). Due to that extreme rarity, the record’s rep is maintained almost entirely through passionate word-of-mouth and shared MP3s, and that’s an unfortunate circumstance for one of the finest examples of pure potential in the entire late-‘80s/early-‘90s US underground rock scene. And that just also happens to be the band Jay Paget ended up playing in after World of Pooh’s demise. 5 out of 5 stars (3,248) 3,248 reviews Along with some additional comp tracks, World of Pooh also issued a belated 12-inch on Nuf Sed in ’91 titled A Trip to Your Tonsils, and that one includes a pretty snazzy Manning-sung reading of “Blow the Smoke Away” by those pre-rock smoothies Les Paul and Mary Ford. It came out in ’88 through the Heyday label, garnering a fair amount of attention and providing the necessary kick-start for her emergence in the following decade, where she recorded both solo and in numerous bands, the San Francisco Seals most prominently, frequently via the auspices of Matador Records. During their three-year existence in the mid-’80s “San Francisco’s World Of Pooh manifested all kinds of reverent beauty-moves … interwoven with darker mutterings and visual clews that seemed designed to confound and obfuscate. But one of the band’s greatest achievements is also their most prominent, a 45 that was released in 1990 as part of K Records-honcho Calvin Johnson’s International Pop Underground series. From shop KKsVinylKreations. Because their ending was as rife with public commotion as their birth had been with the private variety, it always seemed highly unlikely that the exquisitely balanced songs … would ever reappear in graspable form. Plus, the bass is also somewhat reminiscent of the deluxe Thunderbroom dexterity of Mr. Mike Watt. Pooh’s original members were Bob Gillot (Keyboards), Riccardo Fogli (vocals and bass), Valerio Negrini (vocals and drums The disc’s B-side, the perfectly executed hunk of strum-pop anxiety that is Manning’s “Somebody Wants You Dead,” is perhaps the apex in World of Pooh’s entire oeuvre (if not, it’s certainly close), and since it appears to be still available for order from K, any parties interested in getting conversant with the band’s work should definitely start right there. For many, initial knowledge of the band came through an interest in the works of Manning.
On the occasion of their 50th anniversary, Stefano D'Orazio and Riccardo Fogli reunited with the rest of the band. That tune finds World of Pooh diverting a little from the aura of oddness that’s established on the record’s first three tracks, and this redirection (which sorta continues for the rest of the LP) is cultivated even further on the pleasant instrumental “Untitled,” with Kearney’s string-work blending into Manning’s rolling bass lines as Paget takes a washboard-like turn. It’s easy, affordable, and cost-effective to be seen at The Vinyl District. Pooh are an Italian pop band formed in 1966 in Bologna. In addition to putting out The Land of Thirst (the first LP issued by the imprint), he was also responsible for the production of a whole bunch of that sweet and tart Caroliner junk along with pressing notable discs by Cul De Sac, Tarnation, and Culturcide.
94141-1592 USA.
Indeed, their whole gestalt is pretty goddamn twisted…, in such an empathetic and human way that it can’t but help draw you in…. [M]aybe [the vocal and instrumental glisten] isn’t quite as pleasant as you’d originally thought. But the people who did hear their stuff (and were able to catch them live) couldn’t keep from enthusing about what a special group they were, and as the subsequent activities of Barbara Manning, Brandan Kearney, and Jay Paget gained a higher profile, World of Pooh’s importance continued to grow. For the impressive movement of Manning’s bass and the forceful finesse of Paget’s drums bring the song considerable heft. But the other two-thirds of World of Pooh also had a hand in shaping the events of the ‘90s indie/u-ground scene. Formula One Generation 2. “Laughing at the Ground” is a wickedly coiled-up exercise for Kearney’s guitar as the tandem-singing attains a level of delicious strangeness; the whole can be considered an exemplary slice of claustrophobic pop. Opener “Playing One’s Own Piano” reveals a group with a strong grip on instrumental spacing and texture, which is critical for a rock trio, and it also presents an immediate taste of their distinctive qualities. Side two opens with “I’m on the Wrong Side,” which again locates that Flying Nun sensibility, this time combining it with Manning’s assured expressiveness, her delivery in consort with the stronger threads in the ‘90s gal-voxed indie weave.
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